The Friendly Monsters
Theres someone I'd like you to meet--or should I say, someones.
These are the friendly monsters! (If you follow my instagram, you've already met them :-) They star in my latest picture book dummy. This is one of those ideas that hit at 4am (I was up thanks to a hungry baby) and just WOULDN'T LEAVE ME ALONE until I put it on paper. I jotted down a few lines and then was finally able to get a bit of sleep.
The first draft came out pretty easily. I let it sit, did some edits, and then I sent it off to a few different friends (and the 12x12 community) to get feedback. I love having different places to get feedback from, because I feel that when I just get it from one critique group they hear the first person's comments and then everyone just ends up agreeing with that person--not always, but fairly frequently. I like having different places to get feedback so people are thinking up their comments independently--I feel they're more helpful that way.
I don't know where I first heard this thought on critique, but its something I generally live by: If one person tells you something, its an opinion and you can ignore it if you choose. If two or more tell you independently that it is a problem (not just critique group partners chiming in, people critiquing who don't have any access to the comments of the other) then it is something you need to take a look at.
In the case of this story, having multiple critiques... didn't backfire, per se, but it did give me directly contradicting advice. From one friend, "There is too much X! I think you should take out X completely." From another "The X is nice, but I think you need even MORE X."
Oh, the joys of navigating critiques. I've at least got plenty to think about with this story, and I'll do my best to be true to what I loved about that idea at 4am.
As far as the art goes, I'm trying a slightly different style here, and LOVING it. Seriously, why didn't I try working this way before! I'm still using my cutaway linocut vector process, but really minimizing the linework. Instead of starting with the lines and then filling in the shapes and colors, I'm starting with the big shapes and adding lines only where necessary to define the form. I'm using the shadow layer to create texture instead of the line layer as I usually do. I really like how it came out. I think I'll definitely still do linework-based illustrations, but I want to do more of this approach as well.
As usual, progress images of how this one came together. What do you think?
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