Theres someone I'd like you to meet--or should I say, someones.
These are the friendly monsters! (If you follow my instagram, you've already met them :-) They star in my latest picture book dummy. This is one of those ideas that hit at 4am (I was up thanks to a hungry baby) and just WOULDN'T LEAVE ME ALONE until I put it on paper. I jotted down a few lines and then was finally able to get a bit of sleep.
The first draft came out pretty easily. I let it sit, did some edits, and then I sent it off to a few different friends (and the 12x12 community) to get feedback. I love having different places to get feedback from, because I feel that when I just get it from one critique group they hear the first person's comments and then everyone just ends up agreeing with that person--not always, but fairly frequently. I like having different places to get feedback so people are thinking up their comments independently--I feel they're more helpful that way.
I don't know where I first heard this thought on critique, but its something I generally live by: If one person tells you something, its an opinion and you can ignore it if you choose. If two or more tell you independently that it is a problem (not just critique group partners chiming in, people critiquing who don't have any access to the comments of the other) then it is something you need to take a look at.
In the case of this story, having multiple critiques... didn't backfire, per se, but it did give me directly contradicting advice. From one friend, "There is too much X! I think you should take out X completely." From another "The X is nice, but I think you need even MORE X."
Oh, the joys of navigating critiques. I've at least got plenty to think about with this story, and I'll do my best to be true to what I loved about that idea at 4am.
As far as the art goes, I'm trying a slightly different style here, and LOVING it. Seriously, why didn't I try working this way before! I'm still using my cutaway linocut vector process, but really minimizing the linework. Instead of starting with the lines and then filling in the shapes and colors, I'm starting with the big shapes and adding lines only where necessary to define the form. I'm using the shadow layer to create texture instead of the line layer as I usually do. I really like how it came out. I think I'll definitely still do linework-based illustrations, but I want to do more of this approach as well.
As usual, progress images of how this one came together. What do you think?
I said I'd do it, and I did. Earlier today, I submitted the dummy of my story FINN'S FEET to the Little, Brown Emerging Artist Award. Thanks to all who commented on my last entry to help me find a title. Now my little story is going off into the world...
It was a big project, and the housework definitely got neglected as the deadline got closer, but it's done. It feels so good!
I only saved progress images of one of the illustrations, though. I was just trying to get them done as quickly as I could, so saving out periodically as I usually do just didn't happen.
This is a good start for my goals this year of pushing forward with my writing and illustrating this year, and actually submitting my work as well. Before doing this project I thought I mostly wanted to illustrate other people's stories, but putting this together helped me to realize that I actually really like creating my own stories too. I will definitely be doing more!
...a character who has been living in my head for a few years now. I finally have his story put together in a dummy book, and after I complete a couple more example illustrations, I'll be entering it in this contest.
I have one small problem, though. I'm having a hard time thinking of a title.
What would you call a story about a boy with very long feet? Any ideas? :-)
I'll be heading up to the Green Leaves SCBWI retreat tomorrow, and though I have a couple stories in progress, I really don't feel they are ready for an official critique--I'm going for a portfolio critique, and I'll continue to work on my stories until I have them in a good place.
Speaking of getting them in a good place, I do think it's time to start figuring out how the story will flow and get some thumbnails, particularly for my wordless story. I searched online for a nice dummy book layout to print, but didn't see one to my liking. Either they were colored (why??? I just need some squares) or they didn't have space to write notes, which I wanted. So like any self respecting graphics-savvy person, I just made it myself. And I thought I'd make these available to anyone else who might be looking for the same things I was in a dummy layout.
Feel free to print and use these as you need. If you like them feel free to share, but I would appreciate if you kept my information on them intact. Happy sketching!
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