Finally--FINALLY--I have another completed illustration to post! Hurrah! Just in time to submit to the monthly SCBWI Draw This! Competition.
This month's prompt?
For this one I came back to a limited palette like I used for my Chanticleer image--but only three colors this time (Chanticleer had 5). Though sometimes I like having more colors, I am really loving the limited palette look and will definitely do more with it. Although I only used three colors (a dark purple-grey, a medium brown-grey, and yellow) layering them gave me a little bit more variety (the same as what I did in the Chanticleer image.)
As always, here is the progress slide show:
Well, we moved.
Which isn't to say that everything has been taken out of boxes now. Nope. There is definitely more progress to be made in that area. But this house is feeling more and more like a home, and we're figuring out how we want things to go here. It feels good.
And I'm finally finding time to get back to WORK again.
The dummy I mentioned in my last post has still been swimming around in my mind and I've even found moments to work on it. Over the last few weeks, I've worked on getting to know the main character. Here are a few quick snapshots of sketches that I grabbed from my phone:
Next step is to scan, fix, and create a final illustration of one or all of them. I think I want to put one on the back of my next post card. Which one should it be?
Seeing that it's been over a month since I've managed to post here, this won't be a surprise to anyone reading this: I'm taking a break.
Why? Well, this morning we bought a house. Our first! We're so excited. It's a beautiful little cottage built in 1900 (no joke!) and now it's ours. And its time to move. And I have a toddler, and other things going on.
This doesn't change the fact that I've started work on a dummy that I think will be my best story yet (I always think THIS one will be the best yet, but its true!) And that I still plan to meet my goal of 3 postcards out this year, and also the need to update my portfolio (always, always, always. Sigh.) But, these things arent' going to happen in June, or even in July. I am taking a break, to (hopefully) come back with renewed focus and creativity.
I have posted this before, but I still love this quote so here it is again:
So, I'm embarking on a mini-creative-winter this summer. I will still read, and doodle, and imagine, but I won't push myself to get art done. Moving+toddler is enough.
See you in August.
A few weeks ago, I was lucky enough to get a critique from the awesome illustrator Will Terry. You can watch it here:
Since the video was posted, I've really wanted to get back to my tortoise piece and make some edits.
And then, life.
Long story short: I have a toddler and we are in the midst of buying our first home. (All two people who regularly read this blog already knew that, thus the lack of post explaining what was going on ;-) So, I found a few little chunks of time where I was able to do a little editing on the piece, but I was only able to make two of the three suggested changes. This was a couple weeks ago, and I kept delaying posting it, thinking that I would finally find time to make the last change, but I'm realizing that with everything going on right now, I won't be able to get to it for weeks. The tail in the foreground to this second remains untouched. So, I'm going to post what I have, and then once I make final edits in a few days/weeks/months/centuries I can post then too.
I posted the edited piece on the SVS forums and the changes were met with mixed reception. Several people admitted that they really liked the original piece and felt that it looked more like the way an actual tortoise walked. Others pointed out that the way a tortoise actually walks looks really strange to those not familiar with it, so the edited version *seems* more correct even though it isn't.
As for me, I like things about both. It's a cop-out answer, but as the artist I can't look at them without bias and I can't really choose between them. I'm not sure there is a good happy medium between the two, you just have to make a choice--would you like something truer to nature that might seem wrong to some viewers, OR, would you like something that *looks* right to people but actually isn't? Were this a real assignment, I think that is a choice the Art Director / Client would have to make, because there is no one right answer and, as the artist, I see merit in both.
This was a great (if still incomplete) exercise in taking suggestions/criticism and applying them to a piece. It was also encouraging to see that my crazy many-layered illustrator files are actually not that difficult to dive back into and make edits to the right paths--all that effort at layer organization was successful!
But, back to our main topic. I'm curious:
Which piece to you prefer, and why?
With one more completed illustration, my Friendly Monsters dummy is complete! Just in time for the #pbpitch party on twitter tomorrow... nothing may come of it, but then again, something might!
I left the text/speech bubbles off of this one. What do YOU think they are saying?
Theres someone I'd like you to meet--or should I say, someones.
These are the friendly monsters! (If you follow my instagram, you've already met them :-) They star in my latest picture book dummy. This is one of those ideas that hit at 4am (I was up thanks to a hungry baby) and just WOULDN'T LEAVE ME ALONE until I put it on paper. I jotted down a few lines and then was finally able to get a bit of sleep.
The first draft came out pretty easily. I let it sit, did some edits, and then I sent it off to a few different friends (and the 12x12 community) to get feedback. I love having different places to get feedback from, because I feel that when I just get it from one critique group they hear the first person's comments and then everyone just ends up agreeing with that person--not always, but fairly frequently. I like having different places to get feedback so people are thinking up their comments independently--I feel they're more helpful that way.
I don't know where I first heard this thought on critique, but its something I generally live by: If one person tells you something, its an opinion and you can ignore it if you choose. If two or more tell you independently that it is a problem (not just critique group partners chiming in, people critiquing who don't have any access to the comments of the other) then it is something you need to take a look at.
In the case of this story, having multiple critiques... didn't backfire, per se, but it did give me directly contradicting advice. From one friend, "There is too much X! I think you should take out X completely." From another "The X is nice, but I think you need even MORE X."
Oh, the joys of navigating critiques. I've at least got plenty to think about with this story, and I'll do my best to be true to what I loved about that idea at 4am.
As far as the art goes, I'm trying a slightly different style here, and LOVING it. Seriously, why didn't I try working this way before! I'm still using my cutaway linocut vector process, but really minimizing the linework. Instead of starting with the lines and then filling in the shapes and colors, I'm starting with the big shapes and adding lines only where necessary to define the form. I'm using the shadow layer to create texture instead of the line layer as I usually do. I really like how it came out. I think I'll definitely still do linework-based illustrations, but I want to do more of this approach as well.
As usual, progress images of how this one came together. What do you think?
As you can probably see in the sidebar, I am now an INPRNT artist! Previously I had used Society 6, and I still like their variety of products and have my tshirts on in that shop. However, I had heard that INPRNT was a much more artist-friendly printing service, and so far I'm finding that to be true. The site is curated so only high quality work is shown, the uploading process is simple, and I have more control of pricing. I'm sold!
There are only a few pieces in the shop so far. If there is a piece you are interested in that isn't in the shop, let me know and we'll see if I can get the piece you want uploaded.
I really want to get a couple prints of my work to see the print quality for myself, but I want to have a location in mind for where I'll hang the piece, and I don't want to jump into that too soon because... we're thinking about moving! Not far, we're just thinking it might be time to be paying mortgage instead of rent ;-).
The internet is doing better today, so I'm posting the progress images of my "Luck Favors the Prepared" illustration. Maybe I'm the only one that enjoys clicking through these, but I think it's interesting to see the steps a piece goes through as it's completed.
You can see here that I fiddled with the color scheme as I worked--from the beginning I had purple, green, and gold in mind for it, but as I got further in I realized adding red and a grey-brown would help round out the color scheme. I'm happy with what I worked out with that.
Here, on Facebook, and on Instagram people expressed interest in this image and inquired about the possibility of getting a print of it. I'll admit, part of what I imagined when I had the idea for this piece was getting a print for my own wall! So, I have opened an account at INPRNT.com and made this image available: https://www.inprnt.com/gallery/sarahluannperkins/luck-favors-the-prepared/
I'll be getting a few more pieces into the shop soon, but I started with this one since it's the one people were asking about.
I completed a new piece! This one was inspired by one of my favorite artists, James C. Christensen, who recently passed away. He often created images with elaborate ships, mixed scale, and clever sayings, often in Latin. So it was something of an exercise--not exactly a master copy, and not with the goal of being entirely in his style. I wanted something in my style, but inspired by his. I think I succeeded in that at least.
I have progress images (I always think those are fun to see, maybe nobody else does though) but that will have to wait until my internet is working better--its patchy right now for some reason.
It's almost February! Which means… time for New Years Resolutions! Right? Wait… I’m LATE? What do you mean late?
I’ve been thinking for a few months about what I wanted to get done in the next year, but life got in the way of me actually writing it out. So even though its “late” I wanted to get this post up, because it helps me to think things out, and also to feel accountable to all 2 people who read this blog. (Hi, mom!)
So, here are my goals for this year:
BE AN AWESOME WIFE AND MOTHER.
That, always, is the first goal. That takes precedence. But along with doing those things, I really want to push forward in my writing and illustrating this year:
Oh wait, this one is almost over? I know technically this is a challenge that takes place during the month of January. However, It’s been an incredibly fun and rewarding challenge for me--not only do I already have 32 ideas listed, I was so excited about 3 of those ideas that I already wrote rough drafts of them.
(I then later found out that one of the ideas had been recently been written and published, to be coming out in a few months. And in RHYME no less. I had the idea on my own, though (she whined). And I think I can still do something with the idea, I just need to let it roll around in my head for awhile until I know how to tweak it and make it my own.)
Anyway, I want to continue Storystorm through the year, with a goal of 100 total ideas in the year. Yeah, I did just come up with 32 in less than a month so I’m basically ⅓ there, but that was after not thinking about any or writing any down for a very long time, so I’m thinking they’ll be coming slower now.
The amazing teacher of my Childrens Book Writing class at BYU, Rick Walton, passed away recently. The first assignment for his class was to come up with 100 picture book ideas. It was an amazing class, and he was an amazing teacher and writer, and I want to get to 100 kind of in his memory. And its good to be in the habit of always looking for ideas, and then writing them down.
12x12 Challenge 2017
Complete 12 picture book manuscripts in 12 months?? I’m going to give it a try--I already have three drafts, as I mentioned, so just 9 to go :-)
I’ve really enjoyed participating in the 12x12 community and I’m really looking forward to the webinars--the first was AMAZING. So pumped for this year!
By the end of the year, I hope to have a few manuscripts I feel good enough about to start querying agents. Which is scary, but exciting. I can do this!
Smart Dummies 2017
I got my Finn’s Feet dummy put together last year thanks to this challenge, and I volunteered to help with running it this year. I hope to have a bunch of great manuscripts to choose from by the time September rolls around.
In 2015, my goal was to get together a portfolio I wasn’t ashamed of and then start my postcard campaign. I worked and drew, put together a portfolio I liked, and then August of that year I sent out my first postcard, featuring my Adventure image.
The month after, I found out I was pregnant. We were thrilled! But I decided it wasn’t the right time to be pushing forward with a full postcard campaign, so that was the only postcard I sent.
Well, the baby was born and is growing up and I LOVE being a mother, but it doesn’t change the fact that I love illustrating! And I would like to convince people to pay me to do it! Which brings us back to the postcards. I think it’s time. I’d like to send out 3 this year--tentatively I’m aiming for March, July, and November. It’s time to put myself out there!
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