So awhile back I did a master copy of a piece by Norman Rockwell. Because, well, Norman Rockwell. Also, master copies are good practice. So after doing that one, of course I had to do one by Rockwell's hero, J. C. Leyendecker.
Thats right. Rockwell was a young artist with dreams and heroes once too! And one of his big inspirations was Leyendecker, who was doing Post covers long before Rockwell was. His have a different design sense than Rockwell's certainly, but his humorous scenes I think inspired Rockwell, who took that concept and perfected it.
I started this master copy in mid November. Yes, November. Then life happened and it got set aside for awhile, then picked up again, then set aside... so three months later I'm posting it, not because I think its perfect, but because I'm kind of sick of it.
I wasn't as strict with myself with this one as I was with the Rockwell copy I did. I did have a few layers (maybe 5 in the end, I think) and I took advantage of some of Photoshop's awesome tools such as Liquefy and Transform to try and get my drawing just right. It still isn't just right, but I don't think I did half bad.
One thing I really learned from this is that I need to learn more about how to create and manipulate Photoshop brushes. This was really made clear to me because to me, Leyendecker is ALL ABOUT the brushwork. The man was a master. So I look at his piece with all it's beautiful brush strokes and I try to imitate them in Photoshop and get frustrated because I'm not even close. I know Photoshop can't imitate brush strokes perfectly, but I know it can do a whole lot better than I'm currently getting it to do. Next thing to focus on, I guess.
As always, I saved periodically as I worked. Wow, my drawing was WAY off in the beginning! Photoshop makes it much easier to get it right--well, closer to right. Anyway, I think I learned what I needed to learn here and I'm excited to move on from this project.
So one of my goals last year was to put together a portfolio I wouldn't be shy to show to people and actually advertise. I completed that goal, and I've continued to make new portfolio pieces this year as well (though pregnancy has slowed that down somewhat.)
I like what I have in my portfolio. But the entire thing is done completely in Illustrator, and while I love the textures and happy accidents I've been able to incorporate into such a digital-looking program, I feel like I'm really leaning on what is familiar. That isn't a bad thing, but I really want to get another set of quality images created--using Photoshop rather than Illustrator. That is the goal for this year. (And maybe next year, seeing as how the other goal for this year is to birth a baby and, you know, keep it alive and not go crazy.)
Awhile back the extremely popular digital artist Loish ran a kickstarter campaign which I supported. One of the rewards I received for backing was a video tutorial showing her process of painting a character in Photoshop. I watched it and felt that I really got a lot out of it. I especially liked the way her color scheme is kind of found organically through the process of painting, by using different color tools at various points in the process.
So I decided to do a quick character painting in Photoshop to try out some of her methods. Digital painting is still something I'm really insecure in, but I believe that some of Loish's tricks and methods are definitely going to find their way into my digital painting process. I especially love how she uses an unusual color for her drawing lines and uses that to choose colors she adds later. Her colorful outlines make me think of a Wayne Thiebaud painting, whose work I also love.
This only represents a few hours of work and I certainly don't feel like it is portfolio quality yet. However I feel like it was a great learning piece and it was a great opportunity to try out Loish's technique. I'm so glad I supported her kickstarter campaign!
Since I was in unfamiliar Photoshop territory, I went for a familiar character. I have no idea how many times I've drawn Attolia, but she has kind of become a default for me. I imagine this as being from a specific scene in The Queen of Attolia by Megan Whalen Turner. If you can guess which one you get a gold star ;-)
Pregnancy is weird. One of the best and worst parts of it is when the baby kicks. Best because, well, it confirms that your baby is alive, first of all, and also it feels kinda cool. Worst because, well, ouch. It doesn't always hurt. But sometimes baby chooses just the right place, or sometimes chooses one place to kick over and over and over and over. Seriously, baby? You have a whole uterus! Find somewhere else to bruise!
I've mostly seen sort of nice-sounding descriptions of what a moving baby feels like inside you. "Flutters" or "popcorn" or "tickles" or "bubbles" or "a fish swimming inside you." Ok, I see that. But really, it feels like my intestines are spasming, or even having a seizure when she decides to go REALLY crazy for a bit. Or, hows this for a description... imagine that there is a tiny human inside of you that is moving and jerking around. THATS what it feels like.
As I said, usually it feels really cool. But I can probably be forgiven for daydreaming about other ways a baby could arrive at those times when she chooses to kick the same spot over and over and over.
Is anyone else entertained by seeing the progression of a piece, or is it just me? Anyway, I like it, so I'll put it here for me if not for anyone else.
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